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IVF

Elton John boycotts D&G over IVF comments

British pop legend Elton John called for a boycott of Dolce and Gabbana on Sunday after one of the designers behind the Italian fashion label condemned IVF babies as "synthetic".

Elton John boycotts D&G over IVF comments
Elton John (L) with partner David Furnish (R) in 2011. Photo: Max Nash

The 67-year-old singer-songwriter, who has two young sons with husband David Furnish born via a surrogacy arrangement, attacked Domenico Dolce for his "archaic thinking".

"How dare you refer to my beautiful children as 'synthetic'," John said in a posting on Instagram.

"And shame on you for wagging your judgemental little fingers at IVF – a miracle that has allowed legions of loving people, both straight and gay, to fulfil their dream of having children.

"Your archaic thinking is out of step with the times, just like your fashions. I shall never wear Dolce and Gabbana ever again. #BoycottDolceGabbana."

He was responding to an interview that Dolce, a practising Catholic who for many years was in a gay relationship with his business partner Stefano Gabbana, gave to Italy's Panorama magazine.

"You are born and you have a father and a mother," the designer said, according to the magazine's online edition.

"Or at least that's the way it should be, and that's why I'm not convinced by children from chemistry, synthetic babies, uteruses for rent, semen chosen from a catalogue."

John married his long-term partner Furnish in December in a star-studded ceremony attended by their two sons, four-year-old Zachary and two-year-old Elijah.

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GENDER

Fury as far-right uses trans suicide victim’s pic

UPDATED: A British photographer told The Local she is suing the far-right party Fratelli d’Italia (Brothers of Italy) after it used a picture she took featuring a 17-year-old transgender girl, who committed suicide last December, in a campaign against gender education in schools in the northern province of Trentino.

Fury as far-right uses trans suicide victim's pic
The image featuring Leelah Alcorn, a transgender girl who committed suicide last December, was used by the far-right Fratelli d'Italia. Photo: Rose Morelli

Rose Morelli, a Bristol-based photographer of Italian origin, took the photo in honour of Leelah Alcorn, a teenager from Ohio, in the United States, whose death attracted international attention after she said in a suicide note, posted on Tumblr, that she took her own life because her parents could not accept who she was and forced her to undertake “conversion therapy”.

The photo, featuring Alcorn with tear-stained eyes and smudged lipstick, was intended to shake public conscience by telling the story of the pain she went through, while campaigning against conversion therapy and fighting homophobia.

The image helped to gather over 300,000 signatures to a petition calling for the therapy to be banned in the US.

But the photo was used by Fratelli d’Italia in a leaflet campaign against the teaching of what the party calls “gender theory”, such as gender stereotypes and discrimination, which it claims “undermines male and female gender by saying that men and women are equal in everything, regardless of their biological sex”.

In a campaign that got underway on Friday, the aim was for the message, which also called for the “defence of the family”, to reach parents across 70 schools in the province.

The party defended its use of the photo, saying it was made “freely available online”.

Morelli told The Local that she was preparing to take legal action, arguing that the party used her work without permission and in the opposite way to how it was intended.

“The use of the photo, while slightly ironic, is hugely distressing,” she added.

“It's unfortunate that the photo had to be used by an institution that I would never, ever plan on endorsing in any manner, and I can only hope that any damage to the LGBT community inflicted by use of my photo can be rectified in the upcoming lawsuit.”

In a statement on its website, the Trento unit of the gay rights organization, Arcigay, said:

“Maybe Fratelli d’Italia did not know [in what sense the image was used], or maybe it did. But who cares, the important thing is it railed against gender, told another lie, convinced the gullible and scared another mother.”