SHARE
COPY LINK

FILM

Rimini celebrates centenary of legendary Italian director Federico Fellini

Italian resort Rimini this week marked 100 years since the birth of director Federico Fellini, whose visual dreamscapes revolutionised cinema in a career spanning almost half a century.

Rimini celebrates centenary of legendary Italian director Federico Fellini
A still from La Dolce Vita in the exhibition 'Fellini 100 : Immortal Genius'. Photo: Andreas Solaro/AFP

Dozens of events are being held around the world and in Italy this year to remember Fellini, considered one of the most influential filmmakers of all time.

The winner of a record four best foreign language film Oscars, he is famed for films set in Rome such as 'La Dolce Vita' (1960), and most of his films were shot in Cinecitta's Studio 5 outside the capital.

But he set his 1973 masterpiece 'Amarcord', a semi-autobiographical comedy about an adolescent boy growing up in 1930s fascist Italy, in the Adriatic resort of Rimini, where he was born on January 20th 1920.

Weekend Wanderlust: Rimini off season, an uncrowded gem on the sea

The city is marking the centenary with a special exhibition and is due to open a museum dedicated to Fellini, who died in 1993, by the end of the year.

“Rimini is everywhere in Fellini's cinema, the countryside in his films is Rimini's countryside, the sea in all Fellini's films is Rimini's sea,” said Marco Leonetti of the Rimini Cinematheque which helped put on the exhibition.

The show includes some of the more spectacular costumes from his films, as well as frequently erotic extracts from the sketchbooks of his dreams he created for his psychotherapist over a 30-year period.


Costumes on display at the 'Fellini 100 : Immortal Genius' exhibition. Photo: Andreas Solaro/AFP

'The maestro from Rimini'

Originally an artist and caricaturist, Fellini paid to watch films as a child at Rimini's Fulgor cinema by drawing caricatures, and his films remain caricatures of society.

“If you take Fellini's films, like 'Amarcord', 'La Dolce Vita', 'I Vitelloni', when you watch them all, it's as if you're flicking through a history book, you travel through the history of our country, the history of Italy, from the 1930s to the 1980s,” Leonetti told AFP.

READ ALSO: Fellini's La Strada: a vision of masculinity and femininity that still haunts us today

Fellini was initially appreciated more abroad than in Italy, where he frequently scandalised the conservative society of the 1950s.

His films embodied a sense of irony, the ability to invent, and a sense of beauty, said Leonetti. “These are the three qualities of his art, qualities which also created 'made in Italy', and that's why Fellini, besides having told the story of our country the best, is also the person who best represents it,” he said.


A photograph of Federico Fellini. Photo: Andreas Solaro/AFP

Fellini has inspired generations of directors since, including Britain's Peter Greenaway and Spain's Pedro Almodovar. US director David Lynch, who shares the same birthday as Fellini, in 1997 declared his love for the “maestro from Rimini”.

“There's something about his films… They're so magical and lyrical and surprising and inventive. The guy was unique. If you took his films away, there would be a giant chunk of cinema missing,” Lynch told filmmaker Chris Rodley.

Fellini played “a shameless game of reflections and autobiographical projections” with his actors, the exhibition said.

The exhibition 'Fellini 100. Immortal genius' ends in March but will then travel to Rome and on to cities including Los Angeles, Moscow and Berlin.

By AFP's Charles Onians

Member comments

Log in here to leave a comment.
Become a Member to leave a comment.

CHRISTMAS

Seven classic films to watch for an Italian Christmas

What to watch over this year's quieter than usual Christmas holidays – whether you're in Italy or just missing it.

Seven classic films to watch for an Italian Christmas
Italian Christmas cinema is a whole genre of its own. Photo: Jeshoots.com via Pexels

Vacanze di Natale (Christmas Holidays)

Let’s just get this out of the way, shall we: this 1983 farce is the original cinepanettone or ‘cinematic Christmas cake’, the name given to a particular genre of Italian Christmas comedy that’s every bit as sugary, festive and familiar as a loaf of panettone. 

They’re less Hallmark romcom, more Carry On film, with visual gags, double entendres and questionable attitudes aplenty. Good taste it ain’t, but they at least have the advantage of being easy to understand even if your Italian is limited.

Vacanze di Natale is the mother of all cinepanettone, a culture-clash comedy about rich Milanese colliding with a rough and ready Rome family over a ski break in the Alps.

Other classics of the genre – most of which star the same two comedians, Massimo Boldi and Christian De Sica – include Natale sul Nilo (Christmas on the Nile), Natale a New York (Christmas in New York), and Natale a Rio (Christmas in Rio). Yes, there’s a formula.

Natale in casa Cupiello (The Nativity Scene)

At the exact other end of the spectrum is this classic family drama by Neapolitan playwright Eduardo De Filippo, written in 1931, adapted for Italian TV in 1977 and now appearing in a new version this year on Rai 1.

‘Christmas in the Cupiello house’, as its original title translates, tells the story of the Cupiellos, two parents in Naples whose children’s desires threaten to pull the family apart. Things come to a head on Christmas Eve, as the father of the family attempts to demonstrate to his son the importance of the traditional presepe, or nativity scene. 

Tune in to Rai 1 on December 22nd for the new version, or find the 1977 classic online.

La Freccia Azzurra (The Blue Arrow)

This lovely 1996 animation, based on a fairy tale by Italian children’s author Gianni Rodari, was repackaged for American audiences as How The Toys Saved Christmas – but watch the original to find a story based around ‘Italy’s Santa’: La Befana, the witch who brings Italian children gifts the night before Epiphany (January 6th). 

La Befana (who was turned in the American version into a kindly grandma with a toyshop) falls ill the evening she is due to deliver her presents, allowing her dastardly assistant Scarafoni to step in. He secretly plans to sell off the toys – including the Blue Arrow of the title, a model train – to rich kids, but the toys have different ideas and conspire to deliver themselves to the children who deserve them most.

Set in a town based on Orbetello in Tuscany in the 1930s, it’s elegantly animated, beautifully scored and very, very charming.

Regalo di Natale (Christmas Present)

If you’re looking for something more substantial than a cinepanettone, this 1986 psychological drama is more main course than dessert.

Four old friends and one wealthy acquaintance meet for a game of poker on Christmas Eve. As the rounds unfold, we learn why each player is determined to win, and why their friendships have turned sour. 

It’s comic too, but with depth and an intriguing narrative that make it a compelling alternative to the usual festive fare. If you enjoy it, there’s a 2004 sequel: Il rivincita di Natale, or Christmas Rematch. 

La Banda dei Babbi Natale (The Santa Claus Gang)

This good-natured comedy from 2010 stars comedians Aldo Baglio, Giovanni Storti and Giacomo Poretti, a well-known comic trio who have been making films together for more than 20 years.

Here they play three hapless pals from the same bocce (boules) team in Milan, who end up in jail on Christmas Eve after being mistaken for a gang of burglars who, like them, are dressed in Santa suits. They find themselves recounting the various personal tribulations that have brought each of them there in order to convince the chief inspector (perennially likeable Angela Finocchiaro) that they’re innocent.

It has plenty of what Italian comedy does best: lots of silliness, self-deprecation, and a warm heart that never slides into total schmaltz. 

Parenti Serpenti (Dearest Relatives, Poisonous Relations)

Darker but possibly even funnier is Parenti Serpenti (literally ‘snake relatives’), a black comedy from 1992 that lays bare the cynical truth about many family Christmases: everyone’s terribly glad to see their relatives, so long as it’s only once a year.

The family in question have reunited at their parents’ home in Sulmona, Abruzzo, and the celebrations are going smoothly until the elderly mother announces over Christmas dinner that she and their increasingly senile father no longer want to live alone, and their four adult children must decide which one of them will take them in in exchange for a share of their pension and inheritance of the house. 

The children and their spouses end up competing among themselves to prove why they’re unsuitable to look after their ageing parents, airing long-hidden grievances and secrets in the process.

Don’t watch if you want your cockles warmed, do watch if you have a dark sense of humour – or if you want to be reminded why big family Christmases aren’t necessarily all they’re cracked up to be.

Trading Places (Una Poltrona Per Due)

Why is a Hollywood movie on this list – especially one that isn’t exactly considered a Christmas classic in English-speaking countries?

Because this 1983 identity swap comedy has wormed its way far deeper into Italian hearts than arguably anyone else’s. It became a fixture on primetime TV in Italy in the late ’90s, airing almost every Christmas Eve on Italia 1, and continues to attract millions of viewers each time, regularly beating more recent festive offerings.

Most people say it’s essentially because Italia 1 worked out it was cheaper to buy the rights for an older movie, and the viewing public are creatures of habit. But is there more to it?

I’d argue that Trading Places – or ‘One Armchair for Two’, as it’s known in Italy – is actually the perfect Italian Christmas film: a bit slapstick, very ’80s and deeply cynical (think A Christmas Carol but where Scrooge doesn’t abandon his money-grubbing ways, just teaches Bob Crachit to game the system too). Our two heroes – a down-and-out hustler played by Eddie Murphy, who in a bizarre social experiment ends up stepping into the shoes of wealthy banker Dan Ackroyd – triumph by being that most Italian of qualities, furbo (‘crafty’ or ‘smart’). 

Parts of the film haven’t aged well (the N-word, blackface, jokes about sexual assault…), but if you can ignore those it remains a satisfying screwball comedy (as well as an excellent demonstration of how insider trading works, which you can’t say about too many Christmas movies). You can catch it on Italia 1 this year, as usual, at 9:30pm on December 24th. 

Other Hollywood Christmas films that are firm favourites in Italy include Mamma, ho perso l’aereo (‘Mummy, I missed the plane’ – Home Alone), Mary Poppins (watch the Italian version just to marvel at the ingenious translations), Gremlins, and Il Grinch (you can probably guess that one).

SHOW COMMENTS