Guillermo del Toro to chair Venice Film Festival

Director Guillermo del Toro, whose latest film The Shape of Water is tipped to win big at the Oscars, will chair the Venice Film Festival jury, organizers announced on Monday.

Guillermo del Toro to chair Venice Film Festival
Guillermo del Toro accepts the Golden Lion at the 2017 Venice Film Festival. Photo: Filippo Monteforte/AFP

“Venice is a window to world cinema and the opportunity to celebrate its power and cultural relevance,” the Mexican director said.

The Shape of Water, a Cold War-set story of love between a mute cleaning woman and a mystery merman-like creature, has once again propelled the filmmaker into the Hollywood limelight.

The fantasy romance won the 53-year-old the best director award at the Golden Globes and has earned 13 Oscar nominations, one shy of the record held by 2017's La La Land together with All About Eve in 1950 and 1997's Titanic.

It also scooped the top prize, the prestigious Golden Lion, at last year's Venice festival.

“Guillermo Del Toro personifies generosity… a passion for the kind of cinema that can spark emotions, affect people and, at the same time, make them reflect,” said festival director Alberto Barbera.

Throughout his career, Del Toro has alternated between big-budget Hollywood productions such as Blade II and more personal Spanish-language projects. In 2006, he received critical acclaim for his dark fantasy film Pan's Labyrinth, which won three Oscars.

The film festival will light up the Italian city's Biennale with international stars from August 29th to September 8th.


French abortion film wins female-focused Venice Film Festival

A timely film about illegal abortions in 1960s France won the Venice Film Festival's Golden Lion on Saturday, capping a festival featuring numerous female-focused themes.

French abortion film wins female-focused Venice Film Festival
French director Audrey Diwan poses with the Golden Lion for Best Film she received for "L'Evenement" (Happening) at the 78th Venice Film Festival. Photo: Filippo MONTEFORTE / AFP

Audrey Diwan’s “Happening” arrives just as the abortion debate is raging again after new restrictions in Texas, and with the ‘Me Too’ movement starting to make its mark in the film industry.

“I did this movie with anger, with desire, with my belly, my guts, my heart and my head,” said Diwan, accepting the top prize for her delicately rendered, yet gut-punching drama.

In a strong night for women filmmakers, best director went to iconic New Zealand auteur Jane Campion for her emotionally complex Western “The Power of the Dog”, starring Benedict Cumberbatch.

And the best screenplay award went to Maggie Gyllenhaal for her directorial debut “The Lost Daughter”, an unflinching look at the difficulties of balancing career and motherhood starring British Oscar-winner Olivia Colman.

It was a strong finish for the glitzy festival on Venice’s beachfront Lido, which roared back to life this year after a low-key event in 2020 due to the pandemic, with stars back in force and a strong line-up of international films.

The second-place Silver Lion went to beloved Italian director Paolo Sorrentino for his strikingly personal “The Hand of God” about his youth in the gritty southern city of Naples, which also earned the newcomer award for young star Filippo Scotti.

But it was hard to ignore the gender theme across many films.

The festival closed with “The Last Duel”, playing out of competition, a medieval jousting drama starring Matt Damon and Ben Affleck that went heavy on its message of historical injustice towards women.

“I think any reasonable humane, empathetic, conscionable person would have to be a feminist,” Affleck told AFP in an interview.

Edgar Wright’s “Last Night in Soho”, meanwhile, turned the misogyny of Swinging Sixties London into a slasher horror flick.

One woman who seems destined to grab the headlines in the coming months is Kristen Stewart, who wowed critics with her turn as Princess Diana in “Spencer”.

But it was Spanish megastar Penelope Cruz who took home the best actress award in Venice for her latest collaboration with veteran auteur Pedro Almodovar.

“Parallel Mothers” is a surprisingly political turn for the flamboyant filmmaker, exploring the trauma of the 1930s Spanish civil war alongside the tale of two mothers sharing a maternity ward.

Cruz had a busy festival, also starring alongside Antonio Banderas as egomaniacal filmmakers in “Official Competition”, which mercilessly ripped into their own profession.

The best actor award was less expected, going to Philippines star John Arcilla for crime thriller “On the Job: The Missing 8”.

The Golden Lion was selected by a jury led by “Parasite” director Bong Joon-Ho and presented at the Saturday night closing ceremony.

Success at Venice has become a key launchpad for Academy Award campaigns in recent years.

The last four winners — “Nomadland”, “Joker”, “Roma” and “The Shape of Water” — have all gone on to Oscar success.

The glamour was certainly back this year, with a dazzling Hollywood guest list capped by the appearance of Affleck with his old/new girlfriend Jennifer Lopez to the delight of gossip mags everywhere.

Pandemic precautions including mandatory masks, vaccine passes and 50-percent capacity in the cinemas,, continued to dull some of the shine at this year’s festival.

Timothee Chalamet — in town to promote mega-blockbuster “Dune” – had to leap up the new Covid-security wall separating the public from the red carpet to give his adoring teen fans a bit of face time.

But with “Dune” bringing an army of stars to the Lido island — including Zendaya, Oscar Isaac and Javier Bardem — it seemed to confirm that the festival circuit was back on glitzy form.