Milan's La Scala opera house to reopen to public after six months
AFP - [email protected] •
10 May, 2021
Updated Mon 10 May 2021 16:20 CEST
A view shows the Scala Opera House on May 07, 2021 prior a rehearsal in Milan. - La Scala will reopen on May 10, 2021 to a limited audience of 500 people who will be able to attend three concerts in May. (Photo by MIGUEL MEDINA / AFP)
Emotions are running high in Milan as the city’s famed La Scala opera house prepares to reopen to a smaller-than-usual audience on Monday evening.
Advertisement
Arias are set to reverberate once again throughout Milan's La Scala later on Monday when the mythical Italian opera house reopens to the public after six months of silence amid the pandemic.
The performance comes a day before the 75th anniversary of a historic concert in 1946 that celebrated the postwar reopening of La Scala, which had been bombed three years earlier and rebuilt.
"It's a double rebirth: (conductor Arturo) Toscanini opened La Scala after the war and we are trying to revive it after the pandemic, there is the same will to survive," Stefano Cardo, a bass clarinettist in the La Scala orchestra, told AFP on his way to rehearsals.
The storied opera house in Italy's financial capital has felt the impact of the pandemic, with a total of 144 cases of Covid-19, including 64 in the chorus, according to its management.
Renowned for its exceptional acoustics and red velvet-draped boxes, technicians have been busily getting the ornate opera house ready to reopen on Monday evening.
La Scala. Photo: MIGUEL MEDINA/AFP
Advertisement
To respect social distancing, musicians will take over the ground-floor seating area, with the audience confined to the balconies.
Only 500 spectators are admitted per performance - a quarter of La Scala's normal capacity of 2,000.
But with no intermission and the bars closed, one sound that will be missing is the usual clinking of champagne flutes.
Instead, guests will be using hand sanitizing gel, wearing masks and undergoing temperature checks.
Cardo admitted to being "a little nervous" before the concert on Monday evening, which begins with the majestic "Patria Oppressa" ("Oppressed Fatherland") from Giuseppe Verdi's "Macbeth".
Performed by the La Scala Chorus, it will be led by musical director Riccardo Chailly.
Advertisement
"We have recorded many concerts in streaming, but it was virtual, here it's different, with the public it's an intense moment of emotion that we share, as the final applause that we missed," Cardo said.
"We have all listened to recorded concerts from our armchairs, but this has nothing to do with the emotion of live music, the quality and beauty of natural sound," said Dominique Meyer, La Scala's director since 2020.
Director of La Scala Dominique Meyer. Photo: MIGUEL MEDINA/AFP
"I am sure that with the return of the spectators to La Scala, there will be tears of joy," the Frenchman, who previously headed the Vienna Opera for a decade, said.
Making her La Scala debut on Monday will be Norwegian soprano Lise Davidsen, interpreting arias from Wagner's "Tannhaeuser", Richard Strauss' "Ariadne auf Naxos" and Tchaikovsky's "Queen of Spades".
The concert ends with the famous chorus of slaves, "Va, pensiero", from Verdi's "Nabucco", the ode to freedom also sung during Toscanini's concert in 1946.
'Signalling Italy's revival'
La Scala's reopening was preceded by Italian conductor Riccardo Muti leading the Vienna Philharmonic Orchestra for the first time in more than five months on Sunday in the northern Italian city of Ravenna.
And Muti returns to La Scala on Tuesday for the 75th anniversary.
"La Scala has always been a symbol for the Milanese and for Italy, it is the second Italian brand in terms of reputation, behind Ferrari," said Meyer.
"Paradoxically, it is La Scala giving the signal for the revival of an entire country, whereas at the beginning of the health crisis, it was said that culture was not an essential activity," he added, noting the extended closures of theatres.
Despite having performed virtually, musicians and singers said it was no substitute for the thrill of a concert.
"It was sad to stay closed for so long. The passion was missing, preparing a concert is part of a musician's life, his identity," said Damiano Cottalasso, a 54 year-old violinist in the orchestra.
Join the conversation in our comments section below. Share your own views and experience and if you have a question or suggestion for our journalists then email us at [email protected].
Please keep comments civil, constructive and on topic – and make sure to read our terms of use before getting involved.
Join the conversation in our comments section below. Share your own views and experience and if you have a question or suggestion for our journalists then email us at [email protected].
Please keep comments civil, constructive and on topic – and make sure to read our terms of use before getting involved.
Please log in here to leave a comment.